Wrong – A Value Creating Life

In search of perfection

April 25, 2017 Creative BuddhaLeave a comment

Many artists like to produce perfect artworks- that is understandable. They see beautiful works of art before them in museums, cities and in homes; and now in the media. So the quest for perfection is ‘even more in your face’- if your work is not perfect, perhaps you are not perfect. I have now heard from two artists who are suffering from depression and exhaustion, trying to be perfect, and trying to produce perfect pieces of art. There is a Japanese concept of Wabi-Sabi, which actually elevates imperfection

But there is a Japanese concept of Wabi-Sabi, which actually elevates imperfection. So cracks in pottery are filled with gold, literally emphasizing and embellishing the imperfection, instead of hiding it. The Wabi-Sabi aesthetic is a beauty that is ‘imperfect, impermanent, and incomplete’. It is quite like our physical selves- our bodies are not perfect but using clothes, shoes and make-up we make them look perfect. But the most memorable faces are those that highlight imperfection- such as David Bowie’s mismatched eyes. The actress Jennifer Grey who had her nose done, regretted it- she felt she had lost herself or her unique character.

These are two pieces of pottery that I found destined for the skip. The creator had discarded them in this bin in a pottery workshop.

I took them home and I have used them regularly for the last three years. They have not broken or cracked (and I have washed them in the dishwasher) and were perfect the way I have used them. As I use them, I thank the creator of these two pieces and sometimes feel sorry that in the quest for perfection, the artist threw away two little gems. I am pleased they came my way- each time I look at them, I think about the imperfection of life and how we can create value of each imperfection through acceptance, patience and love.

The Autotelic personality

October 16, 2016 Creative BuddhaLeave a comment

A few days ago, I attended an event where a very well known British journalist, broadcaster and political aide was speaking. He is a polished and entertaining speaker. He illustrated his talk with anecdotes and stories from various high profile people ranging from Diego Maradona to Barack Obama, many of whom he had interviewed for his bestselling book about winning. It was as to be expected- a very successful event.

However, for me the unexpected star of that evening was the person, Gert, who organised the evening. The story of how this came about is also bizarre- it seems that Gert had been holidaying at a French ski resort when he came across this famous personality. Gert invited him to do a lecture. Upon return to the UK, Gert wrote to him but the broadcaster told him that he had never been to the ski resort in his life and worst of all, had never met him either. Not the person to give up, Gert thought that he had perhaps been forgotten but he persisted. However, the man was adamant. In the end, they both agreed that Gert had met a look-alike but to his credit, the broadcaster agreed to speak despite the mistake. So what did I learn from Gert and that evening?

First, a lesson about networking: that Gert had used an opportunity to make contact with someone and even though, this person turned out to be not someone he had thought to be, he still was able to create a connection. Your next business opportunity is more likely to come from a loose or weak connection (one of the many people you met at the recent event or at a ski resort) than from Jo/Joe in your office.

Second, lesson about persistence: Gert’s polite, humorous and optimistic way of being persistent was important factor. If either of them had lost their cool, it would have been an embarrassingly different story. So if you are going to be persistent, then use humour, politeness and humility- and know when to back off. Persistence is a game played on the edge of the card- if you’ve shown your trump card and that’s not worked, then it is time to leave. But with two seasoned networkers who respect each other, then like this evening showed, it can be a win-win situation for all.

Third, a lesson about creating something bigger: Gert didn’t just use that opportunity for himself but used it to bring the speaker to a wider audience. That included not just his own colleagues but also invitees such as me who had never had any interaction with him before. There is an expression in Buddhism called ‘Jigyo keta’ which roughly translates from Japanese as ‘benefiting oneself and benefiting others’. Any action that benefits you as well as others is a great success, a win-win event. Such successes also make you happier than ones just for your self only.

Gert is a typical example of an autotelic personality. The word ‘autotelic’ comes from the Greek words Auto, meaning ‘self’ and telos, meaning ‘goal’. Autotelic activity is about having a purpose in and not apart from itself. Applied to personality types, autotelic person is someone who does things for their own sake, rather than in order to achieve an external marker of success. The autotelic personality is a yin yang person- a combination of receptive qualities such as openness and flexibility; as well as active qualities such as engagement and persistence. To succeed in today’s world of chaos and complexity, it is essential to have an autotelic personality. In the cast of characters for that evening- the speaker, Gert and everyone who was involved, even the doppelganger- had autotelic personalities, otherwise the evening wouldn’t have succeeded!

Creative soiree One 2016

April 24, 2016 Creative BuddhaLeave a comment

After many requests to restart the creative soiree sessions I had organised last year, we finally had one yesterday. What a gathering- architects, documentary film makers, theatre artists, fine artists from six different countries or ethnicities (one from Homs, Syria). Some people had brought with them works of art and books that inspired them (Living out Loud by Keri Smith, The Artist’s Way by Julia Cameron; and Harnessing your creativity by Twyla Tharp). People of different backgrounds and age range from 70s to 30s added to the diversity. Naturally, I asked whether the artists of 1960-70s were of as high calibre as contemporary creatives of today or whether we are seeing the very frightening times of permanent loss of creativity. Hence follows a very short summary of the four hour event.

The interview with Marwa Al- Sabouni, conducted via Skype started us off on the question of value of architecture. Does architecture allow us to be frivolous or is it generous? Is it a technical or a social art? Marwa, is a 34-year-old architect and mother of two, who lives in Homs where she was born, amidst some of the most vicious fighting that the Syrian civil war has seen. With her architect husband, she has opened a bookshop after their practice was shut in the conflict. Remarkably, amongst all this chaos and danger, she has written a book about her life with a preface by Roger Scruton. For someone living day to day (as she described), the charmingly calm and articulate Marwa, made it clear that she thinks that architecture must contribute to society. Unlike fine art, architecture has a purpose beyond beauty and though it must be beautiful; architecture must also help to solve the problems that the world faces. The genius is not separate from society.

Another aspect that came up was the concept of waiting for the inspiration, or waiting for the muse. Instead of waiting, as the writer Elizabeth Gilbert has described one must meet the muse every day by showing up for work. Luck is about preparation or being ready to meet luck. To be prepared one must work every day, flex the creative muscles everyday- that is meeting the muse everyday, to show up for work. To capture one remarkable idea, one must prepare many. The pop artist, Prince, who died recently, came up as an inspiration- apparently there is a vault full of his work. He worked everyday and created many songs, not all of which saw the light of day. But the important thing was the creative practice in which he participated every day.

But it is not easy, given internal or external difficulties. But such difficulties also present opportunities and hone our creativity. Marwa’s external problems make it difficult but not impossible. David, a fine artist, who was a contemporary of David Hockney at the Royal College of Arts in the 1960s and taught art there and at Central St Martins, is colour blind. He described how as a child, when he drew a yellow cow, was told off by his art teacher, ‘Cows are not yellow!’ He persevered thanks to a supportive family. An enlightened teacher gave him his first commission, aged 12- to draw French gothic cathedrals. David brought in his black and white digital art- a new media in which he has now ventured in his seventies. Creativity evolves constantly. I was reminded of Hockney’s digital art made on his iPhone. What makes us less creative is fear. We need to believe we are fully creative, right now, wherever we are.

So in a way, creativity is about discovering yourself. As someone remarked, to be human is to be creative. But as a consequence of being creative, one will invariably fail as one tries different things. But as one only hears about successes, not failures, one imagines that the creative person got it right the first time. But in schools and further education, we are not taught the value of failure or even risk taking. We like safety, it seems, so it appears that our work has lost some of the edginess or even exploration. Ideas that are not used, bother us as they sit in the back of our minds as time passes. Artists, architects and other creative people took many risks in the 1960s and 1970s which saw the flowering of ideas. However, the world now presents many new problems- all of which need resourceful, innovative and creative solutions. So lets get out of our safety mode and experiment as much as we can. Creativity is not dying out, it is only transforming- that was our conclusion.

Working from the old

April 19, 2016 Creative BuddhaLeave a comment

I watched an documentary about the work of David Hockney. It seems he walks around with a camera, smartphone and a notebook- making films, taking photos and drawing or writing on his smartphone or book. He then uses these to make new interpretations of what he saw. He says that a painting is very different from a camera. The camera only gives an impression and perhaps, the one only view. It is a dispassionate view while a painting is an emotional response and conveys some of that emotion to the viewer. That is why the painting is so much more vivid and spiritual, even. He sometimes takes older paintings or drawings and reinterprets those to give them a more contemporary feel. So I revisited a 20 year old drawing and then drew it to give a new feel and interpretation.

York 1995.jpg

This time, I used the colour copier, chalk, pens and crayons to bring out a different aspect of that first painting. The first one feels like it was done in cold weather while the new one is lively, fun and warm. I quite like both of them! I gave the second one away as a present so I might do another version of it. Old paintings can be used in so many ways. Art is always open.

creativity from rubbish

April 3, 2016 Creative BuddhaLeave a comment

Creativity comes from all sorts of places and things that inspire or make connections. David, my friend, who has a problem in his hips, was visiting a friend when he spotted a back frame of a ‘Thonet‘ chair, waiting to be put into the rubbish dump. A trainee furniture designer had been making it for practice and had left it behind. David asked his friend if he could take it and she said yes. On the way back home, as the crowded train swayed back and forth it , he realised that he could put his weight on that frame and it supported him. He also realised that when a bus braked, it was good to put it at the side so that it steadied him. So he put some plastic feet on the two ends and there it was, a sexy curved support instead of the awful grey walking frames used. If he didn’t need it, then he could put it on his shoulders, so it is easily portable. Here is David showing the different ways he uses the chair back.

For me, the main lesson here is that you can have a problem but you need to put it in the back burner of your mind. Then slowly and unexpectedly, you will find a solution in your own ‘Eureka’ moment. Archimedes shouted”Eureka! Eureka!”and ran out naked in excitement after he noticed that the water level in his bath rose and he made the connection that the volume of water displaced must be equal to the volume of the part of his body he had submerged. Friedrich Kekulé’s theory on the structure of benzene, which proved to be correct, was apparently influenced by the image of a snake eating its own tail. Einstein also arrived at his theory of relativity when he was watching a train move as he sat in another. There are many more examples of such moments- from artists, scientists to inventors and engineers- who have made connections to arrive at solutions. Where 2+2=5 or more!

The other thing I noticed was that it is the creative mind that notices and makes the connections. When David walked in, I was the first person to notice his innovative walking frame. No one else commented or looked at it. David said that on the street, it takes a certain kind of person, to come up to him and ask him about it. So I guess, if you have noticed something creative in another person, then it is most likely you have the same creativity yourself.

About wrongs

February 20, 2016 Creative BuddhaLeave a comment

bent coin detail.jpg

Last week I attended the wrong burial. Nearly.

The couple with whom I was getting a lift after the Church service said they were sure about where the burial of my neighbour was taking place. There was only one cemetery in that area, they said and they knew where it was. I put my trust in them, never wanting to check any other thing. We followed the GPS into an industrial estate and came upon this cemetery. There was a burial taking place, for sure, but not of my neighbour. Several google searches and calls later, after being stuck behind rubbish collection and pallet trucks, caught in a traffic jam- it seemed rather surreal when we actually arrived at the right cemetery and managed to catch the last moments of the burial.

GPS, the Internet, our superiors, God, friends and family- we put our trust in many things because we want to be right the first time. How many people admit they were or could be wrong? I have a colleague who told me, ‘I am always right, you know.’ We speak of knowing about the past- the wisdom of hindsight, ‘I always knew that, I could tell, that was meant to happen, I told you so’, etc. We also put ourselves in others’ shoes, ‘If I were you, I do that.’ We like to fill in details for others too. As Alain de Botton says, ‘Our brains are primed to take tiny visual hints and construct entire figures from them – and we do the same when it comes to character. We are – much more than we give ourselves credit for – inveterate artists of elaboration.’ But the fact is that you are not me. Now British Supreme Court has conceded that the law based on foresight (and judged by hindsight) which has led people to be convicted of murder even if they did not inflict the fatal blow has been wrongly interpreted for more than 30 years. The joint enterprise law has been used to convict people on the assumption that others ‘can’ foresee violent acts by others.

I remember being hit by a teacher (in the days of corporal punishment) for saying I did not know the hymn I was supposed to sing for Christmas celebrations at school. Ever since that time, I have treasured anyone who says, ‘I don’t know’. Because that simple statement says many things apart from ignorance- it says of humility, courage and a desire to learn. Magicians take this human desire to be right and make it into a form of craft that tells you that perhaps you are not. Couple of weeks ago, I was at a event with a magician, who managed to bend a coin which was inside my palm. Incredibly that coin had been signed with an indelible pen and so it couldn’t have been just substituted. Yet I know that isn’t the entire truth but I will never know. I now carry that coin with me all the time as a reminder that perhaps we are not always right, perhaps we don’t understand or see many things. A little reminder that we can be wrong. And that being wrong has led to more creativity and inventions than we realise. As Thomas Edison was to say, ‘I have not failed. I’ve just found 10,000 ways that won’t work.’