I recently visited Kettle’s Yard in Cambridge, UK. Kettle’s Yard was the home of Jim and Helen Ede during 1958 to 1973 . Jim had been a curator at the Tate Gallery in London 1920-30s. Collecting and curating art and nature in his home, became his cure for undiagnosed PTSD brought on by the Great War. He became a patron, collector and buyer of works by then unknown (and some famous) artists- paintings by Ben and Winifred Nicholson, Alfred Wallis, Christopher Wood, David Jones and Joan Miró, as well as sculptures by Henri Gaudier-Brzeska, Constantin Brancusi, Henry Moore and Barbara Hepworth.
Jim did not distinguish between high art, naive art, and nature. There are no labels, so the visitor enjoys the work as it is. Surprisingly for a curator’s home, there no curatorial statements either. Alongside carefully positioned valued artworks, we find broken and old furniture, glass, ceramics and natural objects. The aim was to create creating a harmonic whole, not perfection. He was influenced by his visit to India after the war and his work reflects his interests in Eastern religions and folk art. He invited students for talks at the end of each term and in the end, left the house to Cambridge University. He meant this humble home to be neither ‘an art gallery or museum, nor … simply a collection of works of art reflecting my taste or the taste of a given period. It is, rather, a continuing way of life from these last fifty years, in which stray objects, stones, glass, pictures, sculpture, in light and in space, have been used to make manifest the underlying stability.’
Looking and reflecting on the interiors, as an architect and home maker, I came to realise that to create a home you have to know yourself and your own needs deeply. And to create such an harmonious home, you don’t need expensive things- just things that reflect who you are. So Jim and Helen Ede’s home could be viewed by some as eccentric and unsophisticated but the abiding impression is that of a couple who consciously chose to eschew the materially rich for that which is soulfully rich. A lesson indeed for these chaotic times and materialistic culture. Such expression where someone’s inner life has been thrown open public gaze requires inner confidence, critical thinking and unwavering certainty. This is the home of someone who has absolute happiness, not relative one. In the end, the lesson for me wasn’t from the art but from the collection and the home as one.
Lessons on design and interiors from Kettle’s Yard
Make the design work for you, don’t follow others blindly.
Choose things that enhance the spaces- these might be cheap things like plants, rocks, books and sea shells. They could be things that you love to touch and see.
Follow the design through as you walk from space to space. It might be simpler and cheaper to have a flow, rather than each space having its own ‘theme’.
Remove and hide things seasonally. This gives a sense of the home through the seasons.
Eclectic collections have a charm of their own. Many design magazines feature empty monastic looking spaces but as this home shows, you can have many things if displayed well.
Lately, I have been thinking about how growing up in India in extreme poverty has made me into what I am. At one point, I used to be extremely embarrassed by our family’s state- especially as my father who was a very proud man told us never to talk about our lack of money. We wore badly fitting home made clothes out of scraps of materials that my mother found. Our school clothes were also made at home, while my friends had tailored clothes. In Delhi’s bitterly cold winter, we went without sweaters- sometimes wearing cast offs, and saving our school sweaters and blazers for school wear and occasions. We went to the local BATA shop where we bought shoes at least two sizes larger and cardboard was inserted so that they would last a bit longer as our feet grew. My mother went to the street market late in the evening when the sellers were selling off damaged or not so fresh produce at cheaper prices- I still remember her walking slowly in a distinct gait coming back with her shopping, as she has a pronounced limp on one leg. She bought rice, lentils and other goods from the government ‘Ration’ shop. These were of very poor quality. So I used to take a long time to eat- two three hours sometimes- picking out maggots and weevils from the rice and vegetables. We could afford fish and egg once a fortnight while chicken and goat meat were a luxury for once a month. My mother used to write each and every cost in a diary, the most meticulous record of expenses that I have ever seen in my life. We were severely malnourished though and in particular, despite being inoculated, I had every disease going- from malaria, whooping cough, diphtheria amongst others and nearly died from a severe case of jaundice. I remember being given steroid injections in order to make my muscles grow but evidently they never worked as can be seen today.
We (three girls and our parents) lived in one small room surrounded by an open terrace which was baking hot in the summer while the leaking roof and badly fitted doors allowed rainwater to come in during the monsoons. The kitchen was also outside and my mother used to get wet getting food from there and back. There was an outside toilet and bathroom with asbestos roof and tin doors that didn’t shut properly. There was one small table fan. The day when we got a ‘ceiling fan’ was wonderful- we sat, taking in the cool breeze that came from the top that cooled down the hot room. Mains water came in intermittently- once in the morning and once in the afternoon (as it still does). So everything from cleaning dishes to cleaning the rooms had to be done in those times- these were such hive of activity all around the neighbourhood. We each had a set of one dish, one bowl and one glass- all made of stainless steel and given to us at our ‘annaprashana’ when the baby eats the first solid food at 8 months. So we had responsibility to wash these after each meal. When I was 22, we got a fridge and then later, a television- both were welcomed with great joy. But it was too late to wipe off the humiliation we had suffered at the hands of various children who had visited our home and the relatives who wondered if we would even live to tell the tale, so great was our poverty. My father valued education, so via scholarship and scrapping money together, we went to a Christian school, which had a much better standard of education than the government schools. My school mates were rich, some even turned up in a car- a rarity in Delhi in the 70’s, so we were the target of many jokes.
The onset of teenage years brought on further humiliation due to poverty. Not only could we could not afford to buy bras, but also sanitary napkins. So we used my father’s old dhoti’s which were soft and I fashioned them to be like sanitary napkins that I saw on the packs in the shops. But my mother made us wash these rags out and re-use them which I found an terrible and embarrassing task, especially if men were around. Further, these home made pads would sometimes pop out of my homemade underwear when playing at the school. After much pleading, my mother bought us bras when I turned 13 years old. And when I got into architecture school, I had some money to buy sanitary pads. But the humiliations continued throughout. Even richer members of our family did not hold back. One of my uncles taunted my father, ‘You can’t even feed these girls, how will you pay for their dowries?’ Another rich cousin sexually abused me and my sister- it seemed we were the butt of every humiliation going. My father used a bicycle to get to his school where he taught. Although in the West, cycling is seen as a middle class pursuit, in Delhi where materialism is worshipped, he was taunted by not only his colleagues but also his students. Recently while cleaning, I found a report that he had been physically assaulted by a colleague in an unprovoked attack. I also clearly remember walking with him with some school boys hurling insults at us. I did not know why they were doing so, but I was afraid. When I grew up, I learnt that these boys were making fun of him because he seemed to have two of each shirt- he bought extra cloth to get two of each items made, thus saving money. So in those boys’ minds, he was a cheapskate. How angry I feel now!
But in midst of these dire times, there were also times of joy. My beloved Uncle, Meshai, who nursed me back to health after my attack of jaundice, encouraged us to paint. He also took us to see exhibitions of modern art, much of which we couldn’t understand but perhaps absorbed something by osmosis. So each weekend was spent in creative pursuit, using PVA paints made from turmeric (yellow), sindoor (red) and the blue dye used as a whitening agent. We made secondary colours out of these basic ones- green, purple and orange. But there was no black paint, which might explain why even today, I don’t use black! We had old calendars, on the backs of which we painted scenes from imagination and also copied pictures from our school books. He also bought us glitter, glue, cellophane, and shiny paper for our birthdays- again, I love these today as they remind me of my childhood joys. I used to steal the foil from his cigarette packs, smelly though they were, and used them. Waste seeds, lentils, scraps of cloth, paper-everything seemed imbued with the possibility of a rich new creation. My tendency to layer waste and found materials in my art today, is probably a nod to my past. The day my Uncle gave us a pair of scissors was a memorable day, but stupidly while playing doctors and nurses, I cut my sister (and deservedly got a good spanking for it!)
I know I have a tendency to hoard which comes from having so little as a child, and so doing ‘Konmari’ or even the ‘Swedish death cleaning’ has been a ritual to exorcise the past. I also used to store things to give to other people, and it took me many decades to realise that people neither appreciated these gifts nor reciprocated them. So now I give donations straight to the charities that I support. For me, this was personally a big lesson. To be messy may be my particular tendency but again, some of that comes from having too many bits to deal with. I used to have a cardboard box in which I stored many images from magazines and old calendars that I got from my Uncle- the foreign magazines were of good quality paper and so, were much desired. When I grew up, I stored a lot of images- pictures cut out from magazines, photographs and even digital photos. I am now getting rid of much of these photographs that Konmari called ‘Komono’ as a way of getting rid of my inclination to store things that I don’t use. The box is long gone but instead, I am slowly going through the images in my mind and visiting these places that I saw in some far away moment in time, in a calendar or a diary. It seems such a miracle to be alive and to be where I am today. My older son suggested I should tell my story, he said, ‘Mum, no one can imagine where you’ve come from when they see you today’. That is why I wrote this piece. Hope you liked it!
I found this piece of paper while clearing out my parents’ home. I had written it more than thirty years ago. I had no money, we barely had enough to eat and no proper clothes and I lived in one bedroom with my parents and sisters in India. This was an excerpt from Thornton Wilder’s, The Bridge of San Luis Rey.
This was the best selling novella by Thornton Wilder, published in 1927 that won the Pulitzer Prize. It recounts a fictional event when an Inca rope bridge collapses between Cusco and Lima, Peru; and takes down five people with it. A friar who witnesses the tragedy reflects on why these people were there on that day and time on that bridge; and whether their fates were connected in some way, and seeks a cosmic answer to the question of why each had to die in that way at that spot and time.
The same year that I copied this paragraph was the year I took up Buddhism and by strange chance, was asked to design a mural which was then later inaugurated by Her Majesty, Queen Elizabeth. Four years later, competing against thousands of applicants, I won a scholarship to do my post graduate degree at UK’s prestigious Cambridge University. This year I was able to go to Peru and see the Inca bridge at Machu Picchu. It wasn’t the same bridge but for me it was the bridge between my young teenage hopes and dreams and where I have got to.
I often think that life is really connected- there are events and things happening that you may think are unconnected but years later, you will see a pattern. That scrap of paper was my connection, my bridge to the past which inspired me to take an action to visit a place where I thought I’d never go. It is never too late to dream and somehow life will turn out to make that dream come true.